Nothing in the world is more addicting than Sim City. Given this absolutely true, undisputed fact, consider this: what if Sim City, but with dinosaurs? Welcome to Jurassic World: Evolution, whose first teaser debuted this week.
Emma Stone has come a long way from her La La Land character Mia’s humble barista origins: she’s now the highest-paid actress of this year, thanks mostly to last year’s Damien Chazelle film that rocketed her around the awards circuit last winter.
Seth Rogen is getting back into the teen comedy business — sorry, tween comedy business this time — with Good Boys, a somehow R-rated movie about a bunch of 12-year-old lads juggling their own coming of age with a journey to replace a drone toy before their parents find out they broke it.
Either a classic late 20th century teen film dies a classic late 20th century teen film, or it lives long enough to see itself become a female-led reboot. The reason I’m making this labored metaphor is because that’s exactly what’s happening to License to Drive, a fun teen adventure flick from 1988 that’s about to be rebooted with a pair of female leads.
Star Wars: The Last Jedi’s opening in theaters is guaranteed to be one of the most exciting events of the year, and also guaranteed to be overcast by the untimely death of Carrie Fisher. All of her work on the film was completed before she passed away, which may even make watching her onscreen even more difficult. We’ve heard that The Last Jedi greatly expands her role in the franchise, and in a way it gives the actress an appropriate send-off.
You haven‘t seen someone go on a neurotic, cabin fever-fueled search for a New York City hot dog until you’ve seen Robert Pattinson go on a neurotic, cabin fever-fueled search for a New York City hot dog.
Remember last year’s Passengers? The Titanic-in-space sci-fi romance that ended up derailing into a creepy stalker-y mess within its first 20 minutes? Well, Jennifer Lawrence, fortunately, Gets It, although she won’t say that the film wasn’t a success.
The goal with any society is to get better at stuff, to learn from mistakes and evolve, gradually, over time, to become the best version of itself. But for all the woke baes and social justice awareness out there, it looks like movies still have a long way to go. A new study has found that white men still get the most dialogue in today’s cinema, and women and minorities are still often relegated to stereotypical, nonessential roles.
We all knew Get Out was one of the best success stories of the year, but did you know it is actually, as of now, THE most successful movie to open in 2017? Jordan Peele’s sharp study of modern racism disguised as a horror flick is the most profitable movie of the year, with a return on investment of 630 percent.
Gag reels are a gift given to us by the cinema gods. Who doesn’t enjoy beloved actors from a beloved series messing up their lines repeatedly while everyone else in the cast laughs at them? If a good blooper reel is the number one sign that production on a movie was fun, then Guardians of the Galaxy Vol. 2 must have been a blast. Even if the actors thought some of the lines they had to say sounded kind of ridiculous.
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